It recounts the speaker's experiences with a lover and posits the idea that their love was forbidden and had to necessarily result in death and destruction. A Review of Ocean Vuong's Night Sky with Exit Wounds by Miguel Soto Ocean Vuong’s collection of poems Night Sky with Exit Wounds is a creative self-exploration, weaving and questioning binaries, and traveling the spectrum of moral ambiguity.In Vuong’s “Telemachus,” the allusion to Homer’s Odyssey is made to illustrate Telemachus’ reaction to his father, Odysseus, arriving at the shore. The two concepts have become muddled with time and trauma, as they have in the later poem "Daily Bread.". I t is tempting to read Ocean Vuong’s poetry with his life story in mind. He runs "into the night" where his clouded or incomplete picture of his father lives, and in response, his shadow grows "toward [his] father." In living with Ocean Vuong’s book over the last week or two I have on occasions mistaken its title for Night Sky with Exile Wounds. In any case, the poem itself does not resolve these tensions but rather revels in them: it is both houses being wrecked, and both implications of the shotgun are accepted. $16.00. Ocean Vuong creates and poses alternate universes within these poems. And this trauma runs deep: despite being able to recognize this ironic parental trauma as a kind of "joke," the speaker still recognizes that it has the force of a "bomb saying here is your father." The body is not just an instrument of pleasure, but also a weapon like a knife. Night Sky With Exit Wounds is a 2016 collection of poetry by Vietnamese American poet and essayist Ocean Vuong. Here, it is unclear whether the speaker is figuratively referring to the burning house—in which case, they are talking figuratively about the precariousness of their situation with their lover—or if they are literally referring to the house in which they meet up to kiss. Ocean Vuong’s Night Sky with Exit Wounds is an oscillation of words, ideas, values, beliefs, and morals, relating back to the major human experience, grounding itself in themes of family, gender, sexuality, violence, war, and the accumulation of the “self.” Vuong’s poetry isolates itself on the page, finding seclusion to be a powerful force for thinking, imagining, and empowering. The poem details the speaker's struggle to reconcile his memories of his father with the pain associated with such memories. Copyright © 1999 - 2020 GradeSaver LLC. Next, we are told that "There was always the shotgun above the fireplace." This section contains 894 words. Port Townsend, WA: Copper Canyon Press, 2016. The poem's concern with fatherhood, as well as the concern with nationhood as highlighted by the title's parenthesis, has appeared in many other poems in the collection—for example, "To My Father / To My Future Son" ("You move through me like rain / heard / from another country. The poem "Telemachus" is the second poem in Ocean Vuong 's Night Sky with Exit Wounds, and it is the first poem in the first section proper. Night Sky with Exit Wounds. • Night Sky with Exit Wounds by Ocean Vuong is published by Jonathan Cape (£10). resource to ask questions, find answers, and discuss the novel. He stands at the feet of American poetry and unties the masters’ shoelaces. through the framework of “just memory”. Night Sky with Exit Wounds study guide contains a biography of Ocean Vuong, literature essays, quiz questions, major themes, characters, and a full summary and analysis. As we have already seen, this house is symbolic of the futile hope for stability and domestic bliss possessed by the speaker and his lover. The duality of lightness is then introduced into the poem, with one valence referring to a lack of weight and the other referring to brightness. The forces that have been pulling at the speaker the entire poem have been emphasized by the dual nature of the poem's couplets, but in the decisive action to run toward the father, the poetic form breaks, and a definite action has been taken by the final singleton line. The "Homewrecker" of the title is neither the speaker or his lover, but rather both of them as their actions implode any chance they have to build a future or "home" together. But it has also been hard to ‘see’ this collection because of the accumulated material – interviews, awards, perhaps hype – that already surrounds it in a way that affects none of the other Forward First Collections this year. The poem "Someday I'll Love Ocean Vuong" is the thirty-fourth poem in Ocean Vuong's Night Sky with Exit Wounds, and it is the eleventh poem of the book's third section. Ocean Vuong. resource to ask questions, find answers, and discuss the novel. Night Sky With Exit Wounds Summary & Study Guide. The Question and Answer section for Night Sky with Exit Wounds is a great It is, after all, an ampersand which begins the poem and first recounts how the speaker and his lover "danced" and "loved." GradeSaver, "Untitled (Blue, Green, and Brown): oil on canvas: Mark Rothko: 1952", Ocean Vuong and the Influence of Religion, Read the Study Guide for Night Sky with Exit Wounds…, Introduction to Night Sky with Exit Wounds, View the lesson plan for Night Sky with Exit Wounds…. The erasure of "nation" in the title—coupled with the speaker's father living in the distance of night—would seem to suggest that the father is representative of both a faded memory and a literal distant place. Night Sky With Exit Wounds is terrifying, heartbreaking, surreal, and lyrical–I’m not quite sure how a poet can fit so much humanity into so few words. To order a copy for £8.50, go to bookshop.theguardian.com or call 0330 333 6846. In the speaker's recollections of their moments with their lover, they know better than to think of the tongue as just a tongue. Night Sky with Exit Wounds study guide contains a biography of Ocean Vuong, literature essays, quiz questions, major themes, characters, and a full summary and analysis. The Question and Answer section for Night Sky with Exit Wounds is a great This conflict that the speaker faces—confronting the father's past in all evil but getting a weight off his own chest in the process—is emphasized by the enjambment which juxtaposes "& stay" with "Don't stay here." The poem's rhythm and punctuation are exceptionally choppy, constantly being interrupted, revised, or revisited through the use of colons, dashes, and ampersands. The poem "Homewrecker" is the fourteenth poem in Ocean Vuong's Night Sky with Exit Wounds, and it is the second poem of the book's second section. Based on context clues throughout the collection and also the close correspondence of many unclear … At the poem's conclusion, the speaker continues to reflect on the muddled pains and pleasures of their forbidden love with the subject, saying that they loved each other like "a knife on the tongue turning / into a tongue.". Summary. Not affiliated with Harvard College. At the poem's end, the speaker figuratively runs from all the "light" that confronting the memory of his father brings (evocative of a light which reveals the true misdeeds and trauma perpetrated by the father in the past) into the "night," where a clouded memory of the father resides. At the poem's end, the speaker reflects that he will wear his father's face for the rest of his life and "begin / the faithful work of drowning." This Study Guide consists of approximately 44 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Night Sky With Exit Wounds. "Self-Portrait as Exit Wounds" Summary and Analysis. Print Word PDF. ")—but is here reiterated and refined. GradeSaver "Night Sky with Exit Wounds “Deto(nation)” Summary and Analysis". Eliot Prize. One other aspect of "Homewrecker" that demands attention is its creation of the house metaphor that, in moments, bleeds into the real house of the lovers' encounters. After publication, the collection received much critical acclaim and in 2017, the book won the prestigious T.S. The poem details the speaker's struggle to reconcile his memories of his father with the pain associated with such memories. Moreover, the trauma left by the father penetrates to the speaker's insides, even the parts that are keeping him alive: "here is your father inside / your lungs." Ocean Vuong poured it all into Night Sky With Exit Wounds, winning him a Forward prize – and comparisons with Emily Dickinson @ carmitstead Tue 3 Oct 2017 13.29 EDT The horror the speaker feels at writing such words is evocative of the process of writing as tackled in the later poem "Logophobia." GradeSaver "Night Sky with Exit Wounds “Homewrecker” Summary and Analysis". The latter would suggest or be evocative of a sense of real danger or violent repercussions accompanying their love acts. The speaker hopes to be able to eliminate the pain associated with his father through writing ("To even write father / is to carve a … Even so, this is precisely how the poem leaves us, with the tongue becoming weapon, then tongue again. In this thesis, I choose to read the mythologies created in Ocean Vuong’s 2016 collection . GradeSaver, "Untitled (Blue, Green, and Brown): oil on canvas: Mark Rothko: 1952", Ocean Vuong and the Influence of Religion, Read the Study Guide for Night Sky with Exit Wounds…, Introduction to Night Sky with Exit Wounds, View the lesson plan for Night Sky with Exit Wounds….
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