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cheap mic for upright bass

By November 27, 2020 No Comments

Usually, the Stand-Up Bass is played in a Live setting like a Jazz trio where is placed very close to other instruments on stage. An instrument’s sound is usually designed to be experienced at a distance adding space and tonal qualities that only can come from the entire body of the instrument. In Rockabilly or Bluegrass, the Stand-Up Bass is an accompaniment to the rest of the group and a lot easier to record. Move it away and you can add some space and room. Golden Bullet Microphone for Upright Bass. The clip works together with a number of the companies goosenecks allowing you to not only place the microphones according to your taste but also taking the application and the surrounding noise into consideration. Move side-to-side to balance individual string volumes or to fight boomy resonance. For example, if your lower mic is 8 inches away from the bass, then the upper microphone needs to be at least 24 inches above it. How to Mic a Stand Up Bass for Live Performance. This site is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. While multiple mics are discussed, we take a close look at the REMIC D540 CLASSIC Microphone for Double Bass, in particular. If you use it to remember the 3:1 rule to prevent phasing. This way, all the different elements of the sound are naturally blended. Adjust the mic placement moving closer to the bridge. The Acoustic Upright Bass is one of the hardest instruments to mic for a number of reasons. They have their advantages. The price is a little steep but look at what this mic can do and the ease of operation. If the room isn’t up to par than a Cardioid microphone will do. Mic … Imagine a straight line coming up the bridge into the center of the mic, which is aligned with the imaginary line, on-axis. Starting out as a Drummer playing in and around Bucks County Pennsylvania Jim was published BMI in Nashville on Music Row at Trowbridge Publishing LLC after years of learning the use of Analog Multi-Tracking eventually to Digital World of recording. " Musicians always thought that the best place to mic a Stand-Up Bass was at or near the f-holes on the front of the instrument which was not necessarily true. When the room sounds ok but not great then use a figure 8 polar pattern mic. Mic Placement is more important than other instruments because of the size and frequencies of the instrument. The two combined can be really beautiful: simply fold in the high mic to taste. This is why Mic position and placement is the most important factor when miking an acoustic Bass. Best Bass Guitar Recording Microphones . This will give you some definition along with the sound coming off the instrument. Then, there’s the real estate that the instrument covers (six feet tall and two feet wide). He has written many articles on Home Recording and Songwriting. Not for recording but everything else. For Home Recording use an Omni-Directional mic that can be backed up around a foot or so. While multiple mics are discussed, we take a close look at the REMIC D540 CLASSIC Microphone for Double Bass, in particular. Keeping it there can be even more challenging, especially if the instrument is moved. For me, the upright bass (or double bass) is right up near the top of that list. To mic the Bass properly we need to find a sweet spot that is somewhere in between. Copyright © 2020 Bass Musician Magazine, All rights reserved. With a decent mic, minimal recording equipment, and good knowledge on positioning and Placement, you can make your music sound the very best it can sound". They are the perfect application for drums, horns and in our case the Stand-Up acoustic Bass. Part of the reason it’s so challenging to capture is due to the low-frequency range of the instrument. They are small and lightweight but durable and can hold up for the working musician. Close miking an instrument is often considered less than the best way and to be a compromise to the instrument’s true tonal acoustic sound. As we said earlier these characteristics depend on the instrument, the strings, the player, and the musical style.

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